“Lobo( /_`F eroz is a loo;@se, rev-=itali; /;s;(ed a+?da =ptation`= of*# Bi?g B=@ad() W-olves:. :$*Ther*,e we`r.e many c -hange*%s that w.e made when @]`you compare it to the origin$=_:al, g$ iven !t[/hat w[;**e added new)+ characters, plot stra nds]$ and (++locatio:!^ ns,^ an; @!d we introduced a**+nd fleshe;.d o!ut new themes tee#tering betwee[` n dark comed
y _)and pol:ic^-\e th/#riller. T:he film ques+tion.)s !]on[+e’s, princ-.iples!, hu@!
man [=!be::h.=#^aviour and how amb
i.+guou, s it can be,” the dir`\ector e[%xplained to Cineuropa. `_“I’m[] very ha \),ppy to be a,$bl\e to wor[$
k wit h a d\re am Spanish ca]!s`#),t, where ever,[!yone )dem(
on.strates the,^=ir enormou+_,s t@alent and ? [commit=^ment in -$] eve%]ry sc? );ene a+:nd through ever?y;`  (single,?_ detail* #`=.”　　The sc]`reenplay for the mov :ie – written by Juan Manuel @@[-Foode
R.oma and[^ Eva Marí/a Alonso+ Mo-@reno `\#– follows a pol?i:?ce office$r o%n t /he fringes of #, the !/(law[ and a/; woman,! see king +(reven#[
ge. :Their\\ pat-hs
.. c$ross, as t$(hey/+$ are obsessed with, discovering the
: identity of the murdere^[r behind a string of br:?utal cr-:imes  ` =involving various gir-\.ls. The _/y are both wil- ling : to. do w
 ,hatever it t^akes ?:]to ?(sec;;ure a confessi:on, even though the=y wi _:ll have to take ;t , he l;-+]aw into their own h-\^ands `!in order to 
do
) so. At *th])[e ),same time, a +
*model d
([etect,(ive  will do[+_ )his@[! utm^,
,ost /;#to a
?v`+oi(d( ir?_reparable*? errors being ^made and to e;nsure that this( desperate /[ s%earch for the truth -!)does not transform into th#!e: ) fierc_e;s^(-t of wo/#, lves.